Gallienus "APOLLO CONSERVA"

Today I would show you my new Gallienus antoninianus.

D\ GALLIENVS AVG; tête radiée de GALLIEN à droite
R\ APOLLO CONSERVA; Apollon nu debout de face, tourné à gauche, portant sa main droite à la tête, la main gauche appuyée sur sa lyre qui repose sur une colonne.

I have not search in Goebl (I will search this evening), but I think that it come from Milan mint.
The type usually found for Milan is the Goebl n. 1169/m (with a short reverse legend "CONSER"):


I found a similar piece just a little low grade (and not with the same dies) on cgb online shop:
https://www.cgb.fr/gallien-antoninien-tb-,brm_283808,a.html

In cgb there is no catalogue references so I think it's not in Goebl (this evening I will try to search if it's right). They say just only two pieces known.
Where is the other one?

Cunetio hoard mentionned four similar coins under n° 1505.

le recensement des variétés chez Göeb n'est pas toujours très clair...ainsi concernant le type Apollo Conserva il cite deux variétés qui semblent similaires d'après les photos : 1166m 1ex.) et 1166aa (9 ex.)... c'est vrai qu'il est pas toujours facile de s'y retrouver dans toutes ces diversités...

la différence que je vois dans ces 2 monnaies est la position du pied qui est le plus près de la colonne.
sur celle du haut, le pied est tourné vers la gauche.
sur celle du bas, le pied est tourné vers la colonne ... je le déduis d'après le mollet ?
(sur une monnaie de Gordien III avec Hercule au revers, je crois me rappeler qu'il y a cette distinction de faite)

My ant. is without any doubt the number 1166 as (9 specimens known).
Difference between mine and n. 1166m is the neck of the bust.

1166m: bust B2, i.e. Bust radiate r., both wreath ties hang freely. "B" is however not in the list of abbreviations on p. 11, probably because Göbl died before completing the book, which was only published two years later by Michael Alram.

1166aa: bust Cv2, i.e. Bust radiate, cuirassed r., seen from front, both wreath ties hang freely, though the illustration on pl. 91 doesn't appear to show a cuirassed bust.

Au temps pour moi !
La question porte sur le buste

About the bust type...is it only my suggestion or it looks like a Roma mint issue?
Goebl list it for Milan,but the MIR 1166aa is very close to the Roman style...

Of milanese style. But this reverse is coupled either with rather small heads obverses (new style) and with obverse portraits similar to those of the previous issues (in particular 'legions' issue). Of course in the later case the milanese style is more obvious.

Many thanks for all your opinions!
It's an interesting coins and I'm very happy for the provenance from the mint of Milan

A cet égard il pourrait être noté qu’un rapprochement, si ce n’est des styles, mais au moins des façons de traiter, à Rome et à Milan, le portrait de Gallien intervient, pour certains avers, lors des dernières émissions (celle dite du Viiéme consulat à Rome et celles marquées MP-T à Milan), peut être sur la base du portrait en marbre de Gallien (exemplaires du Louvre ou du MNR).

This is the bust displayed at Louvre.

Museum description says: "This type of portrait would have been created after Gallienus became sole emperor, when his father was taken prisoner by the Persians. In a crisis-ridden Empire, whose unity was threatened by barbarian invasions and challenges to Imperial authority from individual provinces, Gallienus sought to reassert the emperor's power.
Portraits such as this present him as an authoritarian and resolute man. The inspired upward gaze emphasizes his visionary strength: Gallienus is depicted as an enlightened leader capable of restoring order and prosperity. The portrait is clearly intended to serve the emperor's political aspirations; distributed throughout the empire in the form of statuary and on coins, it became an instrument of propaganda"

C’est exactement cela. De même le traitement des portraits d’avers de Gallien des dernières séries monétaires de Siscia pourrait plutôt être rapproché du portrait (restauré) en marbre de Gallien du Palazzo Altemps.